Körnermarkt 13
3500 Krems an der Donau
+ 43 662-8044-4987
miriam.landkammer@plus.ac.at
I am an art historian with a focus on medieval and early modern painting and digital art history.
Currently, as part of the project “How Material Came into the Picture: Exploring Cultural Innovations Interdisciplinarily with AI and DH methods (KIKI)” I am exploring how surface textures of materials, especially wood, were rendered in painting and what functions the material imitations could take on in the communication between artworks and viewers. I am also fascinated by wall paintings decorating sacred spaces, looking at the interrelations between the images, the built space and the viewers’ physical movement.
An ongoing activity is my collaboration on the database REALonline which documents material culture represented in images from the Middle Ages and early modern period using a graph model.
The ONAMA project aims to enable a systematic comparison of the structures and building blocks of many narratives in medieval literature and images.
2017–2018
University course Library and Information Studies at the Austrian National Library/University of Vienna
2004–2010
Diploma in Art History at the University of Vienna
2003/04
Diploma in Fine Arts (Photography) at the University of Applied Arts Vienna
since 2022
Team member in the project “How the material came into the picture. Interdisciplinary research into cultural innovations with DH and AI (KIKI)” / Senior Scientist (maternity leave replacement) at IMAREAL
2021–2022
Team member in the project “ThingTAG-Mittelalter. A gamification app for the mediation of material culture on works of art in cultural heritage institutions in Lower Austria” and Senior Scientist (temporary replacement) at IMAREAL
2019–2021
Researcher in the project “ONAMA-Ontology of Narratives of the Middle Ages” and Senior Scientist (temporary replacement) at IMAREAL
2018
Project assistant in the library of the Upper Austrian Provincial Archives
2014–2016
Senior Scientist (temporary replacement) at IMAREAL
2010–2014
Work in the museum and exhibition sector (Belvedere Research Center Vienna; Da Ponte Research Center Vienna)
„ROSSINIMANIA, Wien 1822“: Exhibition of the
Da Ponte Research Center at the Salzburger Pfingstfestspiele 2014
* peer reviewed
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Miriam Landkammer, Thomas Kühtreiber, Der Göttweigerhof in Stein an der Donau – Wirtschaftszentrum und Kunstjuwel, in: Göttweiger. Die Zeitschrift für das Stift, seine Pfarren, Mitarbeiter, Freunde und Gäste 2,2023, 24-26. |
* Peter Hinkelmanns, Miriam Landkammer, Isabella Nicka, Manuel Schwembacher und Katharina Zeppezauer-Wachauer, Beyond the Plot. Der Vergleich mittelalterlicher Narrative im Semantic Web, in: Vienna Doctoral Academy – “Medieval Academy" (Hg.), Narrare – producere – ordinare. Neue Zugänge zum Mittelalter, Wien 2021, S. 145–160. Online verfügbar: doi: 10.23783/9783706910637 |
Isabella Nicka, Miriam Landkammer, Manuel Schwembacher, Peter Hinkelmanns und Katharina Zeppezauer-Wachauer, Erzählende Dinge. Vorwort zur achten Ausgabe von MEMO, in: MEMO – Medieval and Early Modern Material Culture Online 8 (2021): Erzählende Dinge, doi: 10.25536/20210801 |
* Katharina Zeppezauer-Wachauer, Manuel Schwembacher, Isabella Nicka, Miriam Landkammer und Peter Hinkelmanns, Needful Things. Die Relationen der Dinge in einer Ontologie mittelalterlicher Narrative, in: MEMO – Medieval and Early Modern Material Culture Online 8 (2021): Erzählende Dinge, doi: 10.25536/20210805 |
* Isabella Nicka, Peter Hinkelmanns, Miriam Landkammer, Manuel Schwembacher und Katharina Zeppezauer-Wachauer, Erzählerische Spielräume. Medienübergreifende Erforschung von Narrativen im Mittelalter mit ONAMA, in: Christof Schöch (Hg.), DHd2020 Spielräume. Digital Humanities zwischen Modellierung und Interpretation, Konferenzabstracts, Paderborn 2.–6. März 2020, S. 131–135. Online verfügbar: https://doi.org/10.5281/zenodo.3666690 |
* Miriam Landkammer, Gábor Tarcsay und Michaela Zorko: Bilder, die Räume erschließen. Historische und digitale Erkundung der Wandmalereien in der Göttweigerhof-Kapelle (Krems-Stein), in: MEMO 2 (2018): Digital Humanities & Materielle Kultur, S. 122–150, doi: 10.25536/20180207 . |
Miriam Landkammer, Die Heinrich-Werkstätte und die Malerei Villachs im ersten Viertel des 16. Jahrhunderts, in: Carinthia I 2010, S. 209–245 |
* Isabella Nicka, Andreas Uhl, Miriam Landkammer, Michael Linortner, Johannes Schuiki: Towards a distant viewing of depicted materials in medieval paintings, in: Digital Humanities 2023. Collaboration as Opportunity (DH2023), Graz, 1–2, doi: 10.5281/zenodo.8107639 |
* Johannes Schuiki, Miriam Landkammer, Michael Linortner, Isabella Nicka, Andreas Uhl: Towards Using Natural Images of Wood to Retrieve Painterly Depictions of the Wood of Christ’s Cross. In: Gian Luca Foresti, Andrea Fusiello, Edwin Hancock (Hg.): Image Analysis and Processing – ICIAP 2023 Workshops. ICIAP 2023. Lecture Notes in Computer Science, vol 14366. Cham 2024. doi: 10.1007/978-3-031-51026-7_31 |
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Miriam Landkammer, Studien zur Villacher Heinrich-Werkstätte. Diplomarbeit, Universität Wien, 2010. |
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Isabella Nicka, Miriam Landkammer, ThingTAG-Mittelalter: Eine Gamification-App zur Vermittlung materieller Kultur auf Kunstwerken in Kulturerbe-Institutionen Niederösterreichs. 2022. https://thingtag.at |
Miriam Landkammer, Peter Hinkelmanns, Manuel Schwembacher, Katharina Zeppezauer-Wachauer und Isabella Nicka, Ontology of Narratives of the Middle Ages. Version 1.5, 2020. doi: 10.5281/zenodo.4285986 , http://onama.sbg.ac.at/ontology/ |